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Uni Neue Font Family is a font created by Plamen Motev and Svetoslav Simov last 2016 and this font is currently one of the 10 best seller fonts from its official release date. This font is inspired from the famous corporate looking font Uni Sans family but with a lot of signature features new proportions.

Uni Neue has 14 font weights to offer, choose between 2 thin wegihts: Uni Neue Thin and Uni Neue Thin Italic, it has 2 light weights: Uni Neue Light and Uni Neue Light Italic, it has 2 book weights Uni Neue Book and Uni Neue Book Italic, it also have 2 varieties of regular, bold, italic, heavy and black weights with corresponding italics variety. All of the proportions and weights are smooth with simple but very professional looking strokes.

This is perfect for corporate signatures and branding with soft rounded edges that add distinctive features to the thickness, widths and geometric feel of each character. This font family is design to fit web and desktop screen that helps your design become catchy and stunning to stand out from all the rest. Logos, brands, publications, advertisements and packaging will simply look more exciting with Uni Neue font family.

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Rogliano is a stunning and stylistic font family that offers beautiful cursive strokes with signature characteristics. This font family is created by Rodrigo Lopez Fuentes and currently one of the best-selling fonts this year.

It has 14 weights to offer: Rogliano Thin, Thin Italic, Ultra Light, Ultra Light Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Black and Black Italic. All weights look skillfully crafted with different features to offer ranging from the thinnest to the thickest weights.

Rogliano is perfect for branding, logos, posters, lettering, editorial layouts and more, with its warm and classic letter stroke features, you will definitely fall in love with this font. This font family also has beautiful collection of borders and ornaments perfect for boosting art and layouts. Rogliano is definitely the perfect font you can use for any type of design and it also supports 200 latin languages.

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Madelyn is a beautiful font family which is inspired from handwritten script, this font is design by Jacklina Jekova and Svetoslav Simov. Madelyn offers a fresh cursive font that focuses in giving an iconic character to each calligraphic letter. Every letter conveys a beautiful cursive strokes that expresses individual style and signature. The uppercase and lowercase letters looks impressive with distinctive strokes that offers unique but harmonious layout when put altogether on your prints.

This font has 2 styles to choose from, Madelyn Regular and Madelyn Fill. The fill weight looks neat and precise packed with thicker and clearer strokes. It also has 2 doodle varieties which are Madelyn Doodles and Madelyn Doodles Fill. The Doodles variety has beautiful swashes and ornaments carefully design to add charm on your layout. The flow and ligatures look stunning on both uppercase and lowercase characters including punctuations and other symbols.

Madelyn is a perfect font for creating logos, packaging, posters, invitations, greeting cards and other layout options. The natural look and feel of Madelyn will give your design an advantage of branding and distinction that will fit to any creative ideas.

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Town is a new font family recently design by Jason Vandenberg last 2016. This font style is a collection of classic look with contemporary display proportions that is inspired by art deco. Town has numerous stylish designs and has 12 base styles in different decorative weights.

Town 10 has 8 different weights, a combination of simple lettering style from the Hairline to Display Black. Town 20 is a collection of simple in-line stroke with 7 available weights. Town 21 is a collection of outline styles with 4 available weights to choose from. Another base font from this font family is Town 22 which is a collection of emboss font weights, it has 8 available designs. Town 23 is a collection of lines font design with 9 available styles. Town 30 has multiple available font weights which is a collection of shadow decorative font styles. Town 31 has 16 font weights, this is a collection of dimensional styles which look really stunning for title and label. Town 40 is similar to stencil lettering with 11 font weights available. Town 50, 60, 70 and 80 are combination of chic, contrast and accent font style with different decorative features perfect for maintaining harmonious look with your designs.

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The typeface is from the Albert Pinggera family which is based on the old typewriter facts of the “Letter Gothic”. This font is not actually monospaced and is the default of the family “FF Letter Gothic Mono.” With this one, it is more typographic compared to usual typewriter faces. Although there are available weights of this family, three of which actually, each of these are incorporated with an italic companion. Just like in the case of FontFonts where its default style the FF Letter Gothic Text have lining figures which have available features of an OpenType.

Letter Gothic has undergone changes since its revolutionary update by FontFont. The reason why many are using this commercial font is because of its classic nuances, monospacing and traditional charm in technology.

Since its release to the public this font has been used for a myriad of purposes. For one, it is used in advertisement materials such as signage, brochures, leaflets, pamphlets and other traditional business usage. Secondly, it is used for websites, online portfolios and other media platforms. Finally, it is used even for non-business projects i.e. school purposes. With all these uses, you will never go wrong once you decide to use this in one of your projects today or in the future. The font will surely blow your away (in a good way of course!)

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Zapfino has two versions available of its OpenType font format. Firstly, the contextual version is filled with amazing features. When the font was created back in 2004, it was then considered as the most-advanced one to be released at that time. It also has 48 western and central languages.

For its history, the font was designed by highly-acclaimed calligrapher in the person of Hermann Zapf who envisioned to liberate the typeface industry into something “lively,” “free,” and “beautiful.” The first Zapfino font was released sometime in 1998, which initially consists of four letters in the alphabet plus more stylish alternatives infused together to achieve readability. The reformatting of Zapfino came in 2003, when Herman Zapf created the Zapfino Extra, which he made in collaboration with fellow designer Akira Kobayashi. With its transformation, Zapfino has a new character called cornucopia, which has exuberant characters, elegant caps, ligatures, ornaments and many other alternates. Thus came Zapfino Forte as a new version of this font.

The use of the font produces a unique addition for your ad materials i.e. packaging and invitations. It is so abundant and tempting to over indulge for many other possibilities. So, Zapfino is just the right element you need for that next project of yours as well as other purposes you have in mind.

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This particular font was designed in 1967 by Jan Tschichold. Sabon was designed as a response for a particular need of printers from German groups with an aim to produce a typeface with resemblance both in form and technology of only the best and finest variations. Monotype Sabon was named after a 16th century typefounder named Jacques Sabon whose widow married Konrad Berner, also a typefounder who is credited with the issuance of the first specimen sheet of a typefounder. There has been several versions placed on the sheet linked to Claude Garmond, and these served as the source of Sabon’s roman which was also used by Tschichold. For the italic, the same was based on Berner’s other sheet which contains another typeface which was a cut by the person of Robert Granjon. Also, a skillful adaptation of Tschichold of these old typefaces and style has made elegant and professional fonts for books. Thus, this font family is a perfect and popular option for setting a text.

Now for almost a decade of being in the market, the font has evolved to be applied for all sorts of purpose and platform, whether online or offline. It is something worth considering as it has the perfect element for readability, flexibility and multi-functionality.

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The font is designed by Morris Fuller Benton for a company called the American Type Founders for a period of 1903 to 1912. The name was inspired by Benjamin Franklin but the design has no resemblance to the early American statesman and printer. The font designer was a prolific one for being able to make several fonts of the sans serif family. In fact, there were lighter counterparts of the Franklin Gothic which were infused in appropriate designs.

ITC Franklin Gothic is one of the bulk on Benton’s masterpiece; having the amazing artisans for revival and expansion. The original version of the font was re-drew by Victor Caruso in 1980 and the design was given more weights. In 1991, more compressed and condensed weights were added by David Berlow. With over a dozen of style and weights, the font eventually became a favourite and ready for duty in certain situations from solid corners of a printed document to powerhouse spaces of media platform and websites.

The best thing about Franklin Gothic is its letters “a” and “g” plus a subtle contrast of strokes as well as the thin round strokes which merge to stems. The font type appears an overall dark and monotone look with a robust modern touch. Franklin Gothic is one of the widely used types of sans serif. It is a choice befitting for newspapers, posters and advertising.

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FF Meta came from the family known as PT55, which is a typeface of economical use distinctly made for readability even despite its small size feature. This was created in 1985 for the Post Office of West Germany. Later, the person in the name of Erik Spiekermann made improvements and designed its expansion to include more styles and weights. He also prepared FF Meta’s release as the first and foremost members of the early library of FontFont. When the early 90s came, at the time of the flourishing days of desktop publishing, the typeface grew and became popular amongst people. Its widespread popularity was due to its clean, multi-faceted, cheery and distinct aesthetics for an array of uses including correspondence and signages.

As a font, FF Meta has eight weights for both normal and condensed type. It is likewise available in Serif and several other variations that fit for use in headlines or daily office use and application.

In 2011, New York’s Museum of Modern Art added the font as its permanent collection. It is a very rare opportunity since a very few has been selected to represent its typography section in this digital era. In fact, only 23 was chosen by said Museum.

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Are you looking for a font that emerges beyond it being a mere typeface? This particular font that we are about to introduce has a story of its own, which actually started in the year 2013. For starters, the story was spun when a genius decided to move into the big city where he was able to meet the finest people from across the globe. The font is a result of a lot talks in class sessions, trains and bars. It is the result of sharing ideas, moments and experiences. It is because of these people and experiences that this font came about and existed right before your eyes.

From the outside, the font can be likened to the ones you see in the picturesque districts of the Mediterranean. It combines the traditional with the classic strokes as well as the trendy additions that blends with its multicultural vibe. Indeed, this particular font brings together both modern and traditional times. This is a font worth trying for in today’s time and new age.

For its Regular stroke it has over 200 glyphs such as the lower and uppercase; alternative glyphs, uppercase numerals, normal Ligatures and punctuation marks and symbols. This is something for everybody to use.

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