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Larsseit was designed by Nico Inosanto in 2013 under Type Dynamic publishing. It is a modern sans serif typeface but still portrays neutrality and anonymity while displaying a one of a kind twist to its letterforms, for instance, the lowercase g.

Larsseit creates a just right mixture of very low contrast and classical proportions. It highlights clarity, objectivity, and spotless characters. Today, the Larsseit family has a total of 6 weights ranging from Ultra Thin to Black, with matching italics and lowercases. Each of the fonts comprises OpenType features including but not limited to Tabular Figures, Proportional Figures, Superscripts, Subscript, Numerators, Denominators, Ordinals, Scientific Inferiors, Ligatures and Fractions.

Larsseit is currently 4oth in bestselling fonts.

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Turbinado was designed by Stephen Miggas this 2018 by Aerotype. It was created to portray a legible and friendly trademark to every brand name; may it be for text or display purposes.

Turbinado consists of nine typefaces combined with an elements package that perfectly works together. In addition, there are three weights of brushed casual script, hand printed caps face, and more than a hundred of brush elements such as swashes, botanicals, arrows, shells, doodads, and repeatable patterns among others. All of their fonts use OpenType standard ligatures to show the vividness of lowercases and numbers

Turbinado made it to the 50^th bestselling fonts today.

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Galano Grotesque was designed by Rene Bieder in 2012. It is a geometric sans inspired from the traditional Futura, Avant Garde, and Avenir, among others. Its contemporary streak is the combination of the perfect height and width particularly in the lowercase letters for better readability.

Galano Grotesque intends to become the universal font because it created a short and long headline designs, and neutrality in its look. While Galano Grotesque comes in 10 different weights paired with italics, it also included alternative glyphs, arrows, fraction, ligatures, and many others. In addition, the characters were extended to support more languages. In the aim to create a standalone companion to Galano Grotesque, the Galano Grotesque Alt was born.

Galano Grotesque is now the 36^th bestselling font.

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Nexa was one of the fonts successfully designed by Svet Simov. It was designed in 2012 under Fontfabric.

Nexa consists of 16 styles and weights which are equally divided into 8 uprights and 8 italics. This font has a distinctive characteristic of being legible may it be in printing or web designing.  Another great feature of Nexa is its enhanced kerning and well- completed geometrics.

Nexa is appropriate for headlines in different sizes, and in text blocks from minimum to maximum variants. This type of font goes a long way when used in web, print, poster, and logo designing.

Nexa is the 25^th bestselling font today.

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Neue Haas Grotesk was designed by Max Miedinger and Christian Schwartz under Linotype publication. However, the first few weights were solely designed by Max Miedinger between 1957 and 1958. This font family was the answer to the British and German grotesques which become a talk of the town because of the success of Swiss typography. Soon after, it was revised into Helvetica by Linotype AG.
In the long run, Christian Schwartz noticed the loss of warm personality in Miedinger’s shapes so he decided to restore it and bring it back to life. He added fidelity to the original shapes and spacing and kerning.  In 2004, it was commissioned for the redesigning of The Guardian; however, it was not used. In 2010, Schwartz completed the font family at Bloomberg Businessweek.

It is currently 2oth in the Bestseller fonts.

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Neue Haas Unica was designed by Toshi Omagari in 2015 under the Linotype publishing. It is the extended version of Haas Unica, the original alternative of Helvetica. It was originally released in 1980 by Haas Type Foundry but was never fully updated to keep up with today’s digital environment, until the creation of Neue Haas Unica. Toshi Omagari of Monotype Studio has given life to this classic when he recreated it with a fresh and modern face. He added more weights, letters, and languages to provide the digital prints needs nowadays. It now consists of 18 styles and matching italics.

Neue Haas Unica family’s lighter weights are perfect for big headings and typical texts; while the regular, medium, and bold weights can fit just anything. The heavy and black designs are ideal for powerful and commanding statements.

Neue Haas Unica currently bags the 38^th bestseller spot.

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Nexa Rust was designed by Ani Petrova, Svet Simov, Vasil Stanev, and Radomir Tinkov in 2014 under Fontfabric. It is a complex font with sub-families Sans, Script, Slab, Handmade, and Extras. Every sub-family has font weights that display warmth and roughness at the same time; with a few degrees of saturation. It is the coarse version of the famous Nexa and Nexa Slab families with additional Nexa Script and Nexa handmade fonts.

Furthermore, there are added group of extras that could be used as the base or the icing to every unique design.

Nexa Rust is now soaring as the 26^th bestselling fonts in the market.

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Myriad Pro was designed by Robert Slimbach Carol Twombly, Fred Bardy, and Christopher Slye back in early 90s under Adobe publication.  It is one of the famous fonts when it comes to text and display composition.

Myriad Pro expanded its sans serif family to include Cyrillic and Greek glyphs, not to mention the additional old style figures and Latin based languages. The complete Myriad Pro family consists of normal, condensed, and extended widths in wide range of weights. This font creates warm and readable look because of letter proportions and design details. Myriad Pro is proud of its precise letter fit and open shapes that suit typographic text making it more legible.

Myriad pro is currently the 21^st bestselling font in the market.

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Recoleta font was designed by Jorge Cisterna this 2018 under LatinoType publication. It is a perfect combination of the 1970s’ wide range of typefaces. It consists of soft and placid shapes in Cooper and of unsolidified, angled lashes in Windsor. When combined, these features create designs that set familiar, yet new and contemporary flavors.

The arrays of weight choices provide the best typographic color to any project. The lighter weights are ideal in body text whilst the heavy weights are compatible in high impact headings. There are modish alternates as well that gives a one of a kind look to any logo and business card.

Recoleta is currently the 18th bestseller font.

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Tazugane Gothic was designed by Akira Kobayashi, Kazuhiro, Yamada, and Ryota Doi of Monotype Studio in 2016. It is the first Japanese typeface and is considered original amongst other Japanese typeface family. It includes ten extraordinary weights from Ultra Light, Bold, to Extra Black to match the characteristic of Latin typeface, Neue Frutiger. Tazugane Gothic creates a balance between the natural humanistic style and the classic Japanese handwriting. These two fonts work harmoniously in order for the Latin and Japanese texts to adapt in variety of applications such as books, digital device, magazines, signage, and other branding and printing need.

Tazugane Gothic made it to the 47^th spot in bestselling fonts today.

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