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Fonts

Sofia Pro Font

Sofia Pro was redesigned by Olivier Gourvat in 2012 under the publication of Mostardesign. The newly designed font now showcases a combination of modernism, coherence, and roundness.

Sofia Pro is a totally new font compared to its original Sofia font in 2008. It now supports a huge array of languages, and with over 500 glyphs. It has a total of 16 fonts with more OpenType features. It includes but not limited to small caps, fractions, contextual alternatives, stylistic alternates, case sensitive forms, and proportional and tabular figures.

Sofia Pro is ideal for print, signage, text, and branding use. It is currently ranked 39th in the bestselling fonts.

 

 

 

 

 

 

 

 

 

 

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Trade Gothic Font

Trade Gothic font was originally designed by Jackson Burke in 1948. During that time, the common remark about Trade Gothic is its absence of unification that is suitable to its sans serif family. However, this does not affect the functionality of the font. In fact, such difference fashioned practical charm and naturalism for many profitable designers. Trade Gothic font became a staple among commercial advertisements and other business materials.

The condensed versions are appropriate for newspaper headlines, while some would combine the font with the roman text fonts. Trade Gothic font is the best choice for front and opening pages of any publications, making it the 14th bestseller.

 

 

 

 

 

 

 

 

 

 

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ITC Avant Garde Gothic Font

ITC Avant Garde Gothic was designed by Tom Carnase and Herb Lubalin in 1970 based on Lubalin’s magazine logo, which was a fun creation of overlapping geometric capitals tightly-set for use. It is a sans serif font with richness in circles, straight lines and basic shapes inspired from the 1920s movement of the German Bauhaus. ITC Avant Garde Gothic’s original versions were illustrated for its inimitable ligatures and alternates that continue to invoke the 1970’s typographic characteristic. It has a dense, contemporary appearance which makes it a favorite among graphic designers. ITC Avant Garde Gothic is the 31st bestselling font to date.

Its huge, tall, and open x-heights counter depicts boldness and honesty while maintaining a friendly and cheery presence at the same time. It is suitable for headlines, highlighted texts, messages, and commercial descriptions.

During 1974, ITC Avant Garde Gothic’s condensed weight was abstracted by Ed Benguiat; whereas its oblique was designed and finished by Erich Gschwind, Andre Gurtler and Christian Mengelt in 1977. After over 5 years, Ned Bunnel made a monospaced version of the font.

 

 

 

 

 

 

 

 

 

 

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Mont Font

Mont is currently the 13th bestselling font in the market. It is designed this year by Mirela Belova and Svet Simov under Fontfabric Publication.

Mont is a geometric sans serif consisting of 10 different weights varying from Hairline to Black with corresponding italics each. The free version of Mont includes Extra Light and Heavy weights with numerals, symbols, and upper and lower case letters. Mont has 744 glyphs in 20 different styles. It covers multiple OpenType features such as tabular figures, superscripts, subscripts, ligatures, fractions, and many more. The pointed “t” and the noticeable x-height make it multifunctional. It creates the best headlines, logos, printing, branding, and motion graphics.

Mont supports over 130 languages – Extended Latin, Cyrillic, and Greek.

 

 

 

 

 

 

 

 

 

 

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Fonts

Futura PT Font

Futura PT comes from the company of Bauer, and was originally designed by Paul Renner in 1927. The Cyrillic version was then developed at ParaType by Vladimir Yefimov in 1995 while additional styles were added in 2007 by Isabella Chaeva.

Futura PT is the expanded variety of the original Futura design. To complement the entire family, the original eight styles were comparatively updated to seven weights with matching obliques and eight condensed styles. Each of these fonts is equipped with harmonized metrics, letterforms, and weights to counterpart each other.

Futura Pt is currently on the 43rd spot of the bestselling fonts. It is available in 84 languages, and supports licenses of all types.

 

 

 

 

 

 

 

 

 

 

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Campton Font

Campton is a simple and uncomplicated typeface with a geometric skeleton. It was designed by Rene Bieder in 2014 with neutrality in mind. Whilst many fonts also showcase alike principles, Campton stands out because of its combined simplicity and sociability.

Campton is equipped with nine weights and their corresponding italics. Its open type features include ligatures, arrows, fractions, case sensitive, alternative glyphs, and many others. Its most remarkable designs diverge from a strong upper case and lower case “o” to an optically mono linear stroke width of “a”, “m”, “n”. Furthermore, the upper case “G” and “C” and the lower case “c” look immensely close to a circle to sustain its rounded and geometric exterior. Campton is ideal for graphic design applications.

Campton is the 28th bestselling font today.

 

 

 

 

 

 

 

 

 

 

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TT Norms Font

TT Norms is founded by TypeType and designed by two outstanding designers, Pavel Emelyanov and Ivan Gladkikh in 2017. With their regular collaborations alongside with other brilliant engineers and typographers, TT Norms was introduced.

TT Norms is one of the greatest releases of TypeType and is currently the top 9 bestselling font in the market.  It is a clean sans serif that is made to cater adaptability and functionality. In fact, the reason for its name “Norm” is it being a regular standard that can be a dependable option when it comes to anything.

The glyph is updated accurately to maintain its classic proportions while ensuring continuity between its forms. TT Norms has nine weights from Thin to Black with matching true italics.

TT Norms outclasses in headlines, editorials, digital publishing, webs, and mobile applications.

 

 

 

 

 

 

 

 

 

 

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Cera Pro Font

Cera Pro is a pan-European Cera Collection that is perfect for corporate brand works. It is purely geometric and owns the 10th bestselling font, Cera Pro. In addition, Cera Stensil, Cera Condensed, Cera Brush, and Cera Brown are also included in the collection.

Cera Pro has rudimentary shapes that show warmth, simplicity and elegance in every project. It also gives a distant approach wherever typeface is needed.

Cera Pro has six weights wherein the Thin and Black weights set convincing headlines and titles in multiple languages. It comes with matching italics that are ideal for display typography. The middle weights make for strikingly beautiful text settings. Cera Pro is congenial to International understanding, such as Greek and Cyrillic characters.

 

 

 

 

 

 

 

 

 

 

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Avenir Font

Avenir was designed in 1988 by Adrian Frutiger after expressing so much interest in the sans serif typefaces. He believed that the stylistic developments in the 20th century need to be shown to everyone. Hence, he came up with the Avenir font which means “future” in French. This is his version of the Futura font; but with some differences in strokes.

Avenir is not purely geometric compared to Futura. For example, the letter “O” is not designed in a perfectly rounded circle which we often see in many fonts. The vertical strokes are thicker and heavier than the horizontal strokes.

Avenir is best used in headlines and text because of its readability, functionality, and pleasant appearance. The light weight blends perfectly in any paper that’s why many printing companies use this font for their headlines.

Check out the 6th bestselling font today.

 

 

 

 

 

 

 

 

 

 

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DIN Next Font

DIN Next was created to enhance the limited weights and widths of the DIN font. It was designed by Akira Kobayashi in 2009, and is currently the 8th bestselling font this day.

The newest classic version has added a lot of contemporary features that is sure to never go out of style.  Every font has equivalent small caps and old style figures. Many alternate characters were also included, and each of the seven weights has a variety of regular, italic, and condensed. Not to forget the superscripts and subscripts, too.

Coming from an industrial heritage, DIN Next is made functional in any applications, but works perfectly in graphic designs.

 

 

 

 

 

 

 

 

 

 

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